I started this blog in 2011 when I took my first master's level poetry class with Dr. Sylvia Vardell at Texas Woman's University. Critiquing poetry and young adult literature is addicting! Teachers, be sure to note the curriculum connections I create at the end of each of many of my reviews!

Monday

Requiem: Poems of the Terezin Ghetto (Janeczko Collection)

(Book Cover compliments of Titlewave)

Bibliography
Janeczko, Paul. Requiem: Poems of the Terezin Ghetto.  Somerville, Mass: Candlewick Press, 2011. ISBN 9780763647278. Print.
Review 
In a chilling collection of poems, Janeczko gives voices to fictional inmates, Nazi soldiers, and locals of the Czechoslovakian town of Terezin which the Nazis converted to a temporary camp while routing Jewish inmates to gas chambers. Basing the fictional writers of each poem on his research of the musicians, artists, children, and adult inmates of Terezin from 1941-1945, Janeczko captures the horror and heartbreaking conditions of the 140,000 prisoners who passed through the camp. 

Accompanied by recovered black and white drawings sketched by actual inmates of Terezin, the 30 poems written in stark free-verse capture the fear, hope, misery, and despair of the inmates “The hearse/ moves /slowly/ like death itself. / We don’t look./ We cannot bear/ to see ourselves.” Though the Nazi’s permited the inmates to pursue art and music to convince the outside world of their “humanity,” fictional prisoner Anna Teller tells that while the prisoners knew they were playing in the shadow of the gallows “…we played nonetheless/played as only the heartbroken can play/ a final performance/ for it was always a final performance/ for some in the orchestra.” Brutal, violent, and disturbing, Janeczko’s important work should be paired with other books on the deaths of the 35,000 people at Terezin so that readers will never forget the atrocity of this horrific chapter in history. (Grades 8 and up).

Honors
2012 Children’s Books of the Year-12 to 14
2011 Pure Poetry Picks 
2012 ALA Notable Children’s Books in the Language Arts

Starred Review: Library Media Connection 

Reviewed in:  School Library Journal, Booklist, Kirkus Reviews, Wilson’s Junior High, Voice of Youth Advocates (VOYA), Bulletin for the Center for Children’s Books, Publishers Weekly Annex

Selection from Marie Jelinek/17789
 (p. 9)
Beasts of burden,
we shouldered bundles
of what pieces of the past
we were allowed to keep
as we joined the river of fear,
a current of shuffling feet, sobs, and whimpers that crept past dark mouths
of archways and windows
to Terezin.

Another selection from poem (p. 8): 
I am Miklos.
The younger boys in L410
call me Professor.
Because I know many words?
Because of my large glasses?
Because I like to write
in a small notebook
that I conceal from the guards
in my shoe?
I am fragile 
with fear.

Connections for 8th grade and up: 
A Terezin Remembrance Evening
Create a collaborative unit with contributions from art, social studies, music, and ELAR classes to remember the victims of Terezin. Set a date for the evening event that will feature poetry readings, art exhibits, student performed music, multimedia history exhibit of Terezin, and perhaps a Holocaust survivor as the main speaker. Invite entire school community to the event. 
English Language Arts : 
Pair Requiem with the poetry book I Never Saw Another Butterfly (Hana Volvkova), a collection of poems written by Jewish children during their imprisonment at Terezin. While over 15,000 children below the age of 15 came through Terezin between 1942-1944, less than 100 survived. This book holds poems and artwork created by these children and describes the fate of each young person (if known), most of whom died at Auschwitz.

Volavková, Hana. I Never Saw Another Butterfly: Children's Drawings and Poems from Terezín Concentration Camp, 1942-1944. New York: Schocken Books, 1993. Print.

Assign each student to one of the children whose poetry and artwork is represented in I Never Saw Another Butterfly. (Do not let the student know if their child lived or died after their time at Terezin until the evening of the Terezin Remembrance event.) Have students read several of the poems aloud to create a recording of the poems.

Art:
Using Requiem and I Never Saw Another Butterfly, study some of the artwork created at Terezin. Simulate an art experience similar to that of the children at Terezin. Listen to recordings of some of the poems read aloud by students from ELAR classes if possible while students draw, sketch, paint by dim candlelight art pieces that reflect the emotions, hopes, fears represented in the poems.

Music: (Orchestra/band/choir):
Listen to pieces of music that were composed or performed at the camp such as the children’s opera “Brundibar.”  Research the composers that Janeczko mentions were inmates at Terezin before their death in the gas chambers: Viktor Ullmann, Hans Krasa, Pavel Haas, and Gideon Klein. Select a few pieces for some students to prepare and perform at the Terezin Remembrance Evening while guests visit the exhibits.

Social Studies:
Have students research the history of Terezin and work to create a multimedia presentation for the Terezin Remembrance evening. Use print sources as well as some of the following sites:

Center for the Holocaust & Genocide Studies, University of Minnesota

History of the Theresienstadt Ghetto

Jewish Virtual Library

The Terezin Memorial


Additional print resources about adults and children at Terezin:

Thomson, Ruth. Terezín: Voices from the Holocaust. Somerville, Mass: Candlewick Press, 2011. Print.

Brenner-Wonschick, Hannelore. The Girls of Room 28: Friendship, Hope, and Survival in Theresienstadt. New York: Schocken Books, 2009. Print

Rubin, Susan G. Fireflies in the Dark: The Story of Friedl Dicker-Brandeis and the Children of Terezin. New York: Holiday House, 2000. Print.

(Special thanks to teacher Amy Housley for letting me include some of the ideas she used in creating a 6th grade Holocaust Remembrance evening.)

Things I Have to Tell You (Poems by Teen Girls)

(Book Cover compliments of Titlewave)

Bibliography
Franco, Betsy. Things I Have to Tell You: Poems and Writing by Teenage Girls.  Photographs by Betsy Franco. Cambridge: Candlewick Press. 2001. ISBN 0763609056
Review 
In Things I Have to Tell You, Betsy Franco delivers a powerful collection of poems and prose written by teen girls. In the author’s preface, Franco explains that after visiting with a teenage friend about some challenging circumstances, she decided to “collect poems, stories, and essays by young women twelve to eighteen in order to provide a vehicle for them to communicate their experiences and tell each other how they had made it through some of the challenges in their lives.” Over 30 poems are presented in the book providing a diverse group of viewpoints that unwrap the universal emotions of disillusionment, joy, anger, infatuation, confusion and hope of teen girls. One girl’s poem expresses indignation at the synonyms for “gentle” that are ascribed to women: “moderate, nonviolent, reasonable, judicious, tame, mild as milk, innocuous…” Another sixteen year-old girl voices her doubt in her own power saying “I am closing in on the sky/Hoping it will try to escape/And I know I will let it get away/Like I let a lot of things get away/Cuz then I won’t have to continue the search/For my power.” Nina Nickels’ insightful black and white candid photographs of young women in day-to-day encounters add several measures of raw punch to the book. The expressions and diversity in the photographs remind the reader that the poems are real words from real teens. Dealing with body image, social conformity, infatuation, self-discovery, and relationship issues, Things I Have to Tell You relates to teen girls right where they live.

Honors
2001 ALA Best Books for Young Adults
2001 Quick Picks for Young Adults
2002 ALA Notable Children’s Books
Booklist Top Ten Poetry Books for Young Adults
2004 New York Public Library Books for the Teen Age  

Starred Reviews: Voice of Youth Advocates (VOYA), Book Report

Reviewed in:  School Library Journal, Hornbook, Booklist, Kirkus Reviews, Wilson’s Junior High and Senior High, 

Sample poem: 
Secrets
Do you know my secret,
Did I tell you it last night,
Were you listening to my dreams,
Were you hiding out of sight?

Do you look to find my secret,
Reading letters, reading notes,
Picking up sometimes on phone calls,
Opening books to see what I wrote?

Do you really want to know my secret,
Will it answer all your questions,
Take away your mass of worries,
Or maybe, you could ask for my suggestions.

Do you ever think to ask me about my secret,
Being honest and forthright,
With no lies or hidden feelings?
Only then will my secret come to light.

-Jessica L. McClosky, age 16

Connections
English Language Arts : 
For 8th grade and up
Pair this book with Franco’s companion poetry book for teen boys:
Franco, Betsy. You Hear Me?: Poems and Writing by Teenage Boys. Cambridge, Mass: Candlewick Press, 2000. Print.

Using poetry writing prompts like those published by Candlewick Press (see link below), pair a poem from each book with a writing prompt. These poems could be utilized as bell-ringers and writing prompts weekly. Follow-up with pair-share discussions. 
Sample writing prompt after reading “Words” on page 56.
What are words or phrases that people say that you don’t like? Why? What are words that you like others to say instead? Talk about that.


Create inner/outer discussion circles and writing prompts on selected poems (or short stories) from Franco’s books as well as other adolescent poetry books like:

Deitz, Paula. Writes of Passage: Coming-of-age Stories and Memoirs from the Hudson Review. Chicago: Ivan R. Dee, Publisher, 2008. Print.

Frosch, Mary. Coming of Age in the 21st Century: Growing Up in America Today. New York: New Press, 2008. Print.

Meyer, Stephanie H, John Meyer, and Peggy Veljkovic. Teen Ink: What Matters. Deerfield Beach, Fla: Health Communications, 2003. Print 
(and other books from the Teen Ink series)

More Resources:
See author Betsy Franco’s website at http://www.betsyfranco.com/index.htm  Her site is a treasure trove of resources including fun pictures and stories about her three famous sons who are writers, actors, artists and how they inspire her. 

See the interview with Franco by publisher Candlewick on Things I Have to Tell You and You Hear Me? http://www.candlewick.com/book_files/0763609056.art.1.pdf 

Declaration of Interdependence: Poems for an Election Year (e-Book Poetry)


Bibliography
Wong, Janet. Declaration of Interdependence: Poems for an Election Year. Princeton, New Jersey: PoetrySuitcase.com. 2012. ISBN 9781468191912. Print.

Review
Janet Wong’s collection of election year poems will appeal to readers of all ages. Avoiding any political slant, Wong’s poems are fresh, entertaining, even comic at times. The 20 poems touch on a range of election-related topics that begin with the freedom to vote and move through absentee ballots, televised debates (“They should call these things ‘Duh-baits,’/ the way those guys are baited.”), primaries and caucuses, ballots, and finally a winner (“Can’t stand the winner./ Don’t feel like eating dinner./ I’m worried about our country./ Is our future doomed?/ Mom says: the country’s fine--/ but can you clean your room?” ). Simple enough to be enjoyed by grade school children, but thought-provoking enough to stir up deep discussion among older readers, the poetry collection also includes a voter’s journal and discussion guide with 12 discussion/writing prompts. The book is available primarily as an e-book which adds appeal due to ease in procurement and cost-effectiveness for readers. Perhaps the greatest additional feature of the book is the online blog site TheDeclarationOfInterdependenceBlog.blogspot.com that engages readers in discussing the poems and related topics. Wong’s timely book will be a particular favorite among teachers seeking ways to help students personalize the presidential election experience.

Reviews
Customer reviews from Amazon.com:

“Three cheers for Janet Wong for providing this collection of thought provoking and reassuring poems just as the election process heads toward a heated finish. Many of her poems bring wry smiles and all of them give the reader serious thoughts to ponder and nod over in agreement. Readers of all ages will finish this book with a deeper sense of pride in our country and gratitude for being an American.”

“Janet Wong's Declaration of Interdependence: Poems for an Election Year is smart bit of work. ePublished in Amazon's Kindle store and delivered for a whisper (and a song), these are fresh-picked poems are perfect for this season but well-crafted enough to have value beyond the current election cycle.”

Sample poem:

Occupy the TV
I can’t wait for the election
to be over , to be done.

This president selection:
99% no fun.

The cable TV coverage
occupies too many channels

With nonstop blah-blah-blabbing
by some not-so-expert panels.

They should call these things “Duh-baits,”
the way those guys are baited

Into acting so ridiculous
they seem uneducated.

I think they must be smarter.
They simply must know more

than they’re showing us—say what?
You and me in ’24?


Connections:

English Language Arts :
Use the Voter’s Guide at the back of the poetry books for inner/outer circle discussion and writing prompts.
Samples:
Ridiculous: Write a list of the most ridiculous (or scariest or most impractical) ideas you’ve heard from presidential candidates (official and unofficial).

Inspiring: Write a list of the most inspiring or sensible ideas you’ve heard from presidential candidates (official or unofficial) in this election.

Social Studies :
Have student groups select their own “dream team” candidates for president and vice president. Students will research the candidate backgrounds and qualifications to create a wiki site with original campaign materials, platform issues, etc. for their “candidates.”

Research electoral college votes and make a map for tracking votes on presidential election night. Have students write responsive poems about the election results.

More Resources:
See Janet Wong’s blog at TheDeclarationOfInterdependenceBlog.blogspot.com for more activities, discussion ideas, and sample poems from the book.

Share Janet Wong’s Poetry Suitcase idea with students and have them help create a poetry suitcase of election related-memorabilia to accompany their own original election poems. 

Sunday

Big Talk: Poems for Four Voices (Performance Poetry)

(Book Cover compliments of Titlewave)


Bibliography
Fleischman, Paul. Big Talk: Poems for Four Voices. Ill. by Beppe Giacobbe. Cambridge, MA: Candlewick Press. 2010. ISBN 9780763606367
Review 
Following the success of his Newbury award winning Joyful Noise: Poems for Two Voices, Paul Fleischman steps things up several paces by creating poems written for four voices.  A far cry from the refined, insect-themed poems of Joyful Noise, the three unrelated poems in Big Talk rollick and throb with rhythmic humor that will have readers tapping toes, slapping legs, and laughing aloud. Much like the stanzas of a piece of music, the four color-coded lines of the poems run horizontally across the page showing the reader at a glance where to speak and where to stay silent. The instructions at the front of the book help readers learn to identify and follow their part much like reading quartet music. The poems can be read by four readers, four groups of readers, or even two readers who share parts.

The first poem “Quiet Evenings Here” allows the folksy speakers to espouse the virtues of staying home and avoiding “the speedway/ roarin’ engines/ grindin’ gears” of city life. Toes will be tapping as readers echo and jointly proclaim the quiet evenings with “Grandma rockin’/ clock tick-tockin’, Sister hummin’/ Grandpa strummin’/Raindrops rappin’/Toes a-tappin’” which is better suited to their country ears. The chaotic gossip of the second poem “Seventh-Grade Soap Opera” will have readers laughing as they interrupt one another’s lines with the latest shocking update of junior high school social life. The final poem “Ghosts’ Grace”  provides the most sophisticated reading of the three poems as the four ghostly speakers wistfully observe and comment on the wonders of the dinner table experience that is no longer theirs to enjoy. Spoken in rounds, their observations of the wonders of dinner now denied are filled with humor as seen in their laments over a green salad: “A jungle explored by fork/tints flashing/tastes couching/Yes, I remember, I’ll always remember./The wet crunch of cucumbers, each an oasis/The deckle-edged lettuce/The sharpness of scallions/Tomatoes sliced up into seed-bearing galleons./The unlikely marriage of oil and vinegar/soother/lip-scorcher/How well I remember.”

Illustrator Beppe Giacobbe’s loud, colorful, computer-generated paintings add to the chaotic noise and “big talk” of the poems. While each poem is introduced with a large full page painting, small cartoon-style frames run horizontal across the bottom of each page depicting scenes from the poems. The free-hand style, multi-colored lettering on the titles helps convey the idea that these poems are meant to be read with laughter and fun in a social setting.

Won-Ton: A Cat Tale Told in Haiku (Hopkins Award Poetry)

(Book Cover compliments of Titlewave)

Bibliography

Wardlaw, Lee. Won-Ton: A Cat Tale Told in Haiku. Ill. by Eugene Yelchin. New York: Henry Holt and Company. 2011. ISBN 9780805089950

Review 
In this winsome poetry picture book about a lanky gray shelter cat with wide-open blue eyes, Wardlaw utilizes 33 Japanese senryu (similar to haiku format) to unfold the tale. While haiku focuses on nature themes, senryu focuses on the quirks of human (or cat) nature. When the stray cat is looked over by prospective owners at the shelter, he feints disinterest “Visiting hours! / Yawn. I pretend not to care. / Yet-I sneak a peek”, but the cat cannot help hoping that the Boy will choose him “No rush. I’ve got plans. / Gnaw this paw. Nip that flea. And / wish: Please, Boy, pick me.” After a stress-filled ride to his new home, the cat imperiously comments on the unsuitability of all the names being considered, and when he is dubbed “Won-Ton”, he concedes that this name is not his REAL name.  Through playful poetry with crisp wording and punctuation to fit each 17-syllable poem, Won-Ton continues to adjust to his new home, food, sleeping routines, dress-up tea party, strange cat in the yard, and an evolving affection for his new Boy (“Your tummy, soft as / warm dough. I knead and knead, then / bake it with a nap.”) 

Eugene Yelchin’s pictures leap off the page with brilliant yellows, reds, oranges juxtaposed against the lanky charcoal-gray cat. Using graphite to create dark outlines around the gouache images gives the pictures an almost cartoonish-feel furthered by the amusing expressions on Won-Ton’s face and his gangling body language. The bold, over-sized cover image of Won-Ton will entice many young readers to sink their claws into this kittenish tale.

Swirl by Swirl: Spirals in Nature (Sidman Poetry)

(Book Cover compliments of Titlewave)

Bibliography
Sidman, Joyce. Swirl by Swirl: Spirals in Nature. Ill. by Beth Krommes. New York: Houghton Mifflin. 2011. ISBN 9780547315836
Review 
Newbury award winner Joyce Sidman shines a light on the prevalance of the spiral shape in the natural world. Using free verse poems to describe a few qualities of the spiral within section spreads in the book, Sidman first explores how a spiral is “a snuggling place” as small creatures such as the bull snake and chipmunk curl tightly while sleeping in their homes beneath the ground and then on the next page expand and move about. Next, the spiral is seen in the nautilus as a “growing shape” that “starts small/ and gets bigger,/ swirl by swirl”, and the frond of a lady fern that “unwraps itself,/one/soft/curl/at a time.” The spiral is also described as a strong shape, one that explores the world while hanging on, a clever shape, bold and beautiful as seen in the spiral horns of a merino sheep, arms of an octopus, tail of a sea horse, proboscis of a butterfly, web of an orb spider, heads of flowers, waves of the ocean, and the spiral arms of a galaxy. Sidman’s crisp, simple wording set in large font pop off a clean background inviting the even the youngest readers to enjoy the words on each page and ultimately ends up where the book started with the spiral returning to being a “snuggling shape.” A spread at the end of the book provides interesting additional details about the creatures and objects featured in the book that will encourage readers to explore the natural world further.

Caldecott winning illustrator Beth Krommes uses her scratchboard art medium to create an opulent feast for the eyes that will keep readers coming back to pour over the rich images packed on each spread. Krommes uses line drawing and cross-hatch techniques to scratch off the black-painted surface of the white scratchboard unveiling a wonderland of plants, creatures and other natural objects which then come to life with splashes of warm, earth-toned watercolor. Readers will enjoy the “I-Spy” quality of Krommes attention to minute detail right down to the end papers of the book which are riddled with spiral shapes such as snails, shells, and monkey tails. A book for all ages, Swirl by Swirl reminds readers of the amazing natural wonders waiting to be re-discovered everyday.

Tuesday

A River of Words: The Story of William Carlos Williams (Biographical Poetry)

(Book Cover compliments of Titlewave)

Bibliography

Bryant, Jennifer, and Melissa Sweet. A River of Words: The Story of William Carlos Williams. Grand Rapids, Mich: Eerdmans Books for Young Readers, 2008. ISBN 9780802853028
Review 
A lavish picture-book biography about William Carlos Williams, Jennifer Bryant brings to life the poet who from his youngest years learned to notice everything. His rambling boyhood walks and hours exploring outdoors helped him learn to listen to the Passaic River’s “Gurgle, gurgle—swish, swish, swoosh!—gurgle, gurgle./ The water went slipping and sliding over/ the smooth rocks, then poured in a torrent/ over the falls…” Bryant’s imagery and word choice paint a picture of Williams as a young observer of life who found his own simple style of poetry free from the confines of famous poetry styles that instead made him “feel free as the Passaic River as it rushed to the falls.”  Williams value for the simple things in life…like a red wheelbarrow, plums, birds, children’s games…helped him keep noticing and writing poetry even while pursuing a medical degree and ultimately caring for children for years as a pediatrician. 

In an interview shortly after A River of Words received the 2009 Caldecott Award, Poet Jennifer Bryant talked about her choice to write this poetic biography in the form of “poetic prose or lyrical prose. I do try to pay attention to repetition, sound, and imagery—all of which play a big part in this text…” Bryant’s free verse style and sparse writing compliment the richly-detailed mixed-media illustrations by Melissa Sweet who uses book covers, Dr.’s prescription pads, old report cards as canvases for watercolor drawings, hand-drawn pieces of William’s poems, and snippets of vintage-type words to create collage art with impact. The illustrations are whimsical and yet elegant. An especially powerful spread contains a silhouette of Williams writing in a lit attic window in his house created from an open book cover against a dark night sky made from an old map of star constellations where “Willie took out his pen and his notes./ He sat down and looked at the words.../ …and shaped them into poems.”